Sunday, June 05, 2022

TRAGEDIES CONVERGE: Eventually everything, and everyone, cracks

Intro: Our bold, flawed project of citizenry, of permitting Americans of every hue, status, orientation, and religious belief a voice in the building of our republic has failed. Our elected leaders have failed us. And we, in part, have failed ourselves by not doing more sooner. The collective feel—the Final Vibe, as it were—is total disrepair, and an ushering into the dark ages.

The Breaking Point Is Here—Again

Tragedies converge, apocalypse colors the air, and digital realities no longer suffice. Eventually everything, and everyone, cracks.

<div class=__reading__mode__extracted__imagecaption>Illustration: Elena Lacey; Getty Images

"What I want to pinpoint is a sensation—physical, cognitive, temporal—that is occurring at this fixed point in time, especially this past week, in the days following the twin tragedies in Buffalo, where 10 Black people were fatally gunned down in a supermarket, and Uvalde, where 19 children and two teachers were massacred at a rural Texas elementary school, in what is now the second-largest school shooting in US history.

First, let us finally do away with the big, stinking lie of immoderation, of how terrorism casts its depravity in our jagged land. The language of radicals and extremists is not born in the margins, as the folklore has gone about replacement theory, the foul dogma the gunman used to justify his slaughter in Buffalo. There is nothing peripheral about how hate draws breath. To be among the marginalized, outside the arena of power in the America of yesterday and tomorrow, is to live in the stifling yoke of wholesale animosity. It is to know the face of such cruelties as a constant, as an always. . .

The tragedies in Buffalo and Uvalde join a doom-laden surreality of unraveling horrors, each one ricocheting off the other. According to an economist at BMO Capital Markets, in an interview with Bloomberg News, the rising price of “food, rent, and a few other items look to remain troublesome” in curbing US inflation in the year ahead. This, in a year that could very well be plagued by the Supreme Court reversing a person’s right to an abortion, worsening climate conditions, the calculated narrowing of queer rights, a housing crisis, the threat of monkey pox, and what feels like never-ending pandemic fatigue. All of this, and with no time to process because the hamster-wheel of capitalism demands that we work, that we continue to satisfy its greed. . .

If you, like me, are wedged somewhere between Gen Z and age 45, you live with the internet as a daily fact of life. It’s like water, a natural resource impossible to live without. The internet has made it such that we consume at a certain uninterrupted, and likely unhealthy, velocity: harshly and oppressively around the clock.

The Buffalo gunman’s relationship to the internet became a necessary obsession; he was, he said, “awakened” on 4chan. For months, he researched and meticulously planned his attack online. Perhaps more sinister are the lengths he took to catalog and broadcast his beliefs across a string of social media networks including Discord and Twitch, where he streamed the shooting for two minutes before it was cut. He understood carnage as more than spectacle or mass entertainment—but as inheritance in the grand tradition of other mass shooters.

In this way, the fortune of social media is also its curse. It has given us access to people, cultures, experiences, and opportunities we never imagined. It’s opened the world to us. It’s given us the tools to make and remake ourselves. But it hasn’t changed the nature or intent of hate. It has only made it more immediate, more intimate, more paralyzing.

By now the carnage—in Uvalde this past Tuesday, in Buffalo 14 days ago, in El Paso in 2019, at Marjory Stoneman Douglas High School in 2018, on the Las Vegas Strip in 2017, at Pulse nightclub in 2016, at Sandy Hook Elementary in 2012—is so beyond the point of doubt that it’s entered the realm of the hyper-real, the unremarkable, the thoroughly, tragically mundane. In America, horror is a cloverleaf: at once a bound reality and a recurring spectacle, shared and remixed online, appropriated and made a fool of by soulless pundits on Fox News. There is nothing one can do against the tsunami of affliction, set asunder in its unforeseen tempest. . .

All of these pinballing realities—of what it means to live in a Black body, of what it means for Roe v. Wade to be struck down, of what climate catastrophe will unleash on the even more marginalized among us, of how the electorate will continue to betray basic fundamental rights—have all seemed to echo a little louder lately. For me, the magnification of all of this and more has become even more dangerously resonant online.

[    ] The dread seems to never quiet. It only compounds. And eventually everything—and every one of us—breaks.

At least, that’s what it feels like. Much has been written about “the Great Resignation,” the way the pandemic eroded our trance-like commitment to capitalism, cultivating healthier paths to fulfillment. But everything feels more tenuous than usual these days, rendered in all sorts of dystopian hues. What I fear is on the horizon, as our many selves and experiences have smushed irrevocably, is a collective breaking point—call it the Great Snapping. Or maybe it will feel more like a crush, as we are all flattened into feelingless blobs, helpless to the anarchy that grows around us."

Source: https://www.wired.com/story/buffalo-uvalde-shootings-breaking-point/ 

STAGED VIDEOS:

Intro: ". . .According to the Russian Defense Ministry, the videos are meant to inspire confidence in Kiev’s fighting abilities both in Ukraine and Western nations, and to showcase the “supposed effectiveness” of Western weapons supplied to the country.

The shootout scene, according to the statement, is meant to be a recreation of a heroic Ukrainian stand against overwhelming Russian forces that never actually happened.

The first video, the Russian military claimed, is supposed to show advancing Russian troops, who were played by a group of Ukrainian militias. The statement claimed the film crew couldn’t get any actual Russian armored vehicles for the scene and used Ukrainian ones instead.

“The next filming session is scheduled for June 5 and 6,” Defense Ministry spokesman Major General Igor Konashenkov claimed. “The footage will be of staged testimony by ‘ordinary Ukrainians’ accusing Russia of supposedly firing at peaceful communities on purpose.”

The ministry claimed that the UK not only funded the filming, but also offered its creative input. The project was launched “amid Kiev’s political disaster in Mariupol and military defeats in the Donbass,” the statement said.

3 Jun, 2022 10:57

Ukraine staging battle scenes for propaganda – Russia

The propaganda footage was allegedly sponsored by the British government
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The Russian Defense Ministry released on Friday what it claimed to be staged combat scenes filmed on behalf of the Ukrainian government and paid for by the British government. The two short clips appear to be raw footage of what looks like a war movie.

The filming of the videos took place on May 28 in the town of Meshkovka in Ukraine’s Nikolaev Region, the ministry said. A train station of the same name is located on the outskirts of the provincial capital in the south of the country.

One of the videos shows two armored vehicles facing the camera. At the command of a woman, who appears to be the film director, the backdoor of the closest vehicle opens, and a group of armed men in uniform wearing red armbands starts pouring out. Several others rise from the grass around the second vehicle in the distance and start moving forward, their weapons raised.

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The second clip is a shootout scene, with a group of armed uniformed men retreating through rubble while firing back at an unseen enemy. Pyrotechnics appear to simulate enemy fire. At one point, a professional-looking film crew comes into view.

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Saturday, June 04, 2022

NO THANKS (I Decline) Event Invitation: Justin Olson for U.S. Senate Meet & Greet

Looks like JO aspires to national political life after his time-served on the Arizona Corporation Commission... He's the loose contender in an already crowded Far-Right Republican field that Includes Arizona State Attorney General Brnovich and Trump-endorsed venture capitalist Blake Masters and others in the race to challenge incumbent Arizona Senator Mark Kelly.

Jeremy Olson invited you to Justin Olson for U.S. Senate Meet & Greet
Let Jeremy know if you can make it.
Tell him you're going
Image
Justin Olson for U.S. Senate Meet & Greet
Monte and Diane Gardiner invite you to a candidate forum. Come meet and greet Justin Olson, candidate for U.S. Senate. Come learn about Justin's plan to defend our Constitution, defeat Mark Kelly and regain Republican control of the Senate.
ImageFriday, June 3, 2022 at 7 PM
ImageMonte & Diane Gardiner Home: 5102 W Park View Ln Glendale, AZ 85203
ImageSee invite list
GoingMaybeNot Going

 

CELEBRATING WOMEN IN THE ARTS: Mask Alive Festival Recap Video & Fall Festivals Invitations

Happy to share some Good News...Felicidades!

Our Mission is to provide community engagement through unique cultural programs dedicated to the education, promotion and development of Chicano and Indigenous artists in Arizona.
Our Vision is to celebrate diverse cultures and serve families with cultural arts education programs and festival events. 
Congrats to our Executive Director, Carmen Guerrero, for being recognized as a Legend by Achieving My Purpose (AMP) at this year’s Celebration of Women Book Launch!!
Watch this year's Mask Alive Recap Video
Mask Alive Festival 2022- Recap
Save the Date for the Next Festivals!
PORTAL FEST
10/2/22

MIKIZTLI
10/30/22

SUPPORT OUR ARTS & CULTURE HERITAGE AND TRADITIONS
501(c)(3) nonprofit organizations who provides community engagement through unique cultural programs dedicated to the education, promotion and development of Xicanindio artists in Arizona.
Cultural Coalition | culturalcoalition.com

Cultural Coalition | 1202 N. 3rd Street, Phoenix, AZ 85004 

http://culturalcoalition.com/wp-content/uploads/2012/03/CulCoaLogoNoBG-e1492582123672.png

MESA CHAMBER OF COMMERCE: Endorsements for 3 Open-Seat Mesa City Council Candidates

Hmmm....The Mesa Chamber’s Good Government Committee interviewed each of the candidates and made endorsement recommendations to the Chamber’s Board of Directors last week
Muppets GIF on GIFER - by Auath

Mesa Chamber Backs Business-Friendly Candidates
FOR IMMEDIATE RELEASE MAY 31, 2022
CONTACT: Mesa Chamber of Commerce
PHONE: (480) 969-1307

MESA – The Mesa Chamber of Commerce today announced its endorsements for the upcoming Mesa City Council Elections.

The Mesa Chamber Board of Directors endorses Trista Guzman Glover (Council District 4), Alicia Goforth (Council District 5), and Scott Somers (Council District 6).

The Mesa Chamber’s Good Government Committee interviewed each of the candidates and made endorsement recommendations to the Chamber’s Board of Directors last week. The committee based their recommendations on how well candidates aligned with Mesa Chamber positions and their ability to represent the business community on the Mesa City Council.

“Mesa is extremely lucky to have such outstanding candidates running for Mesa City Council,” said Mesa Chamber President/CEO Sally Harrison. “The Chamber is supporting these three candidates because of their leadership abilities and support for small business.”

Mesa’s Primary Election will be Tuesday, August 2, 2022. 2020.

More information about the election and candidates is available at the Mesa City Clerk’s Office at www.mesaaz.gov/government/city-clerk/election-information/primary-election.

Mesa Chamber of Commerce Endorsements 

The Mesa Chamber’s Good Government Committee interviewed each of the candidates and made endorsement recommendations to the Chamber’s Board of Directors last week.

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HERE IN MESA: Rents in Mesa are up by 38.1% since the start of the pandemic in March 2020

Thanks to Erin Giddens for sending this most recent data through May 2022 in the Apartment List team's report for June 2022
> Rents in Mesa are up by 38.1% since the start of the pandemic in March 2020
 
Hi Tim,
Our team just published our June Rent Report, complete with median rent and price growth data through May 2022.
 
Some highlights below:

 
 
  • Rents in Mesa increased 0.8% month-over-month in May, compared to a 1.2% increase nationally. Month-over-month growth in Mesa ranks #76 among the nation's 100 largest cities.
  • Year-over-year rent growth in Mesa currently stands at 20.9%, compared to 15.3% at this time last year. Year-over-year growth in Mesa ranks #12 among the nation's 100 largest cities. Rents in Mesa are up by 38.1% since the start of the pandemic in March 2020.
  • Median rents in Mesa currently stand at $1299 for a 1-bedroom apartment and $1499 for a two-bedroom.
Check out the full report here, and for a complete look at national trends, read our national report. Our raw rent stats - for cities, metros, states - can also be downloaded at any time from this page.
 
If you have any questions or would like to hop on a call with one of our analysts to discuss this month’s data, please let me know!
Thanks,
Erin Giddens
 
O Yeah! Welcome to Mesa, The Land of Make-Believe that the current incumbent mayor, former track-star, and former ambulance chaser/accident-law attorney John Giles once said reminded him of Mayberry RFD. Giles first slid into office on-the-tail winds from the resignation of former Mayor Scott Smith, endorsed by Jan Brewer, who wanted to run for higher office only to get defeated by Arizona's current Governor Doug Ducey. Giles got elected in his own right as the 40th Mayor of Mesa and is now serving his last term in City Hall.
 
He says it's his job "to sell Mesa"
 

DHS denied claims that it would destroy evidence following the fatal shooting of Alex Jeffrey Pretti | Daily Beast

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