Monday, June 05, 2023

In Arizona: It is criminal that our legislature is diverting nearly $1 billion to subsidize wealthy private schools

 

$900,000,000 ESA Voucher Costs Rob Arizona Public Schools

This week, the Arizona Department of Education issued an astronomical updated estimate projecting universal ESA vouchers will cost the state $900 million in 2024 alone. This double whammy will bankrupt the state through still-unbudgeted, ballooning costs and starve public schools by diverting funds. Read our statement here

Based on these projections, every single one of Arizona’s nearly 3,000 public schools will lose out on $300,000 in desperately needed dollars that could fund teacher raises, additional counselors and aides, plus resources and extracurriculars. Arizona schools are funded 48th in the nation. It is criminal that our legislature is diverting nearly $1 billion to subsidize wealthy private schools instead of using these funds to finally move the needle for Arizona’s 1.1 million public school students. 

Laurie Roberts said it all: “Republicans assure us their universal voucher program will save the state money. They either flunked math class or simply don’t understand how schools and ESA [vouchers] are funded.” This devil-may-care approach to funding is shocking coming from a party that claims the mantle of responsible fiscal stewardship. 

ADE’s new ESA voucher costs represent a horrifying 1,295% spiral over initial estimates: the legislature originally estimated the program would cost the state just $64.5 million in its second year. 

The massive gaps between the projected yearly cost for ESA vouchers ($64.5 million), the amount lawmakers had to budget (approximately $500 million), and this $900 million projection, means the legislature must now scramble to pay for the ballooning program. With no state surplus left to dip into after the special-interest spending spree of last month’s budget, some lawmakers have already signaled they wish to use the Rainy Day Fund, Arizona’s emergency savings account that contains only enough funds to cover 3-4 months of state expenses. It’s horrifying to contemplate draining our only remaining financial safety net on coupons to elite private schools for people who can already afford them. 

Last time the state had to come up with $900 million, despite massive public protest, lawmakers slashed public school funding. We call on Governor Hobbs and the legislature to rein in the unaccountable, wasteful ESA voucher program before it bankrupts not just the public schools that 92% of Arizona families choose, but the state as a whole. Use our newest one-click email here: bit.ly/K12Emergency

Your voice matters. A simple phone call or email to your lawmaker asking them to prioritize funding for schools and responsible policies for education goes a long way. In order for Arizona to move forward and thrive, these critical discussions need to take place. Find your legislative district here. Email and phone information for your representatives is here and your senator is here.

Voucher MythBusters

Let’s debunk some commonly spread myths and disinformation about the ESA voucher program:

❌ The Claim: “The money follows the child.”

The Truth: Most of this $900 million is going to families who had already chosen private options. 3 in 4 applicants for ESA vouchers were already in private school or homeschool, and were not receiving state funding at all. Each of these students is an entirely new cost to taxpayers, and each ESA voucher represents a subtraction from the state budget used to fund public schools — with no identified revenue source for the state to cover those costs. 

 

❌ The Claim: “ESA vouchers save Arizona money.”

✅ The Truth: Each ESA voucher costs Arizona money. Even a basic universal ESA voucher is $424 more than public schools get for each elementary and middle school student, and $540 more for each high schooler. The impact of this loss cannot be overstated: $900 million drained from public education means every one of Arizona’s public schools loses out on $300,000 in desperately needed dollars that will likely result in schools being forced to lay off teachers and slash suddenly unaffordable fixed costs such as broken-down A/C and buses. Supt. Horne says he is perfectly willing even to push for school closures

 

❌ The Claim: “Families are fleeing public schools.”

✅ The Truth: Public school enrollment is steady. If universal ESA vouchers were causing students to leave public school en masse, we would expect to see a dramatic drop in enrollment — but the data simply does not back that up. A comparison of Arizona’s 2021-22 public school enrollment with 2022-23 enrollment shows very little change. The vast majority – 92% – of Arizona families choose public schools. 

Voucher Watch

While it may have been lost in the coverage of the new astronomical price tag for ESA vouchers, Superintendent Tom Horne made another shocking admission on Wednesday: he is spending taxpayer dollars earmarked for administration of ESA vouchers on advertising the program

For months, special education ESA parents have rightfully complained about delays in services and reimbursements for therapies. Rather than using the funds appropriated by the legislature to solve these issues, Horne is “making a concerted effort” to target low-income and Spanish-speaking communities, ostensibly to bolster the number of public-school students in the program. When asked how much, Horne refused to answer. 

Frankly, it is appalling that this Superintendent of Public Instruction is more focused on driving up ESA voucher applications than he is on supporting public schools or properly running the program he was elected to oversee. 

Upcoming Events!

Education Advocacy Mini Sessions

Mondays at 6:30pm 

6/5 – Social Media Advocacy

6/12 – Welcome to Team SOSAZ

6/19 – Texting to Advocate

Voter Registration Training

Wednesday, June 7 at 6pm

Register HERE

 

❌ The Claim: “Parents are the accountability.”

✅ The Truth: No accountability or transparency for taxpayers — or parents. Unlike the detailed accounting for public schools that accounts for every taxpayer dollar down to the last penny, ESA vouchers mean taxpayers have no way to know how their money is being spent, or what (or whether) children are learning. Voucher-funded private schools have no requirements for accreditation, registration, licensing, approval, teacher certification or special education, and are not required to assess or report academic achievement. 

Home education spending is similarly lax; as long as an item can be tied to a “curriculum,” which is ill-defined and open to interpretation, it meets the definition of an allowable expense. The ESA voucher program doesn’t require parents to spend these tax dollars on core curriculum. Many parents are using their ESA vouchers for extravagant purchases like laptops, pricey espresso machines, and bounce houses. In February, the Arizona Department of Education boasted that they’d approved over 111,000 expenses in one day with no receipts, which assuming a full 24 hours of work, equals approximately 10 expenses every second. These approved expenditures are not available for public scrutiny.

 

❌ The Claim: “Arizona will always fund education.”

✅ The Truth: When times get tough, public schools see cuts first. Finding new revenue is a heavy political lift, especially in this toxic hyperpartisan environment: the Arizona Constitution requires a two-thirds supermajority vote from both chambers of the legislature to increase taxes. The only other solution is to cut spending. Last time the state had to come up with $900 million, despite massive public protest, lawmakers slashed funding for our public schools. 

Bills We're Tracking

We encourage you to scan this section and contact your senator or representatives directly, as applicable, on bills you care about. 

LORIN DREXLER Gen Society

You are invited

What are Gen Society and Genesis Journals?
 
In addition to being the LLC umbrella for creative services and music artist services performed by lorindrexler.com and loryn.net, Gen Society is a gallery blog for visual art and creative writing collaborations, and other randomizations. Genesis Journals is the seasonal newsletter of the blog.

In Genesis Journals, the season's featured artist's work (or artists) will be scattered throughout the sections. Other elements included, that may or may not be included on the blog, are book releases, music releases, and novel excerpts created by writer and musician Lorin Drexler (and potential collaborators). All of these project updates are located in the following section.
by LORIN DREXLER

Welcome to the Spring edition of Genesis Journals. It's been a magical season of change and growth. Between tramping all over Western Europe earlier this year to digging deeper into myself high up in the red rocks in Sedona, I'm moving into the next season of my life with more determination. Finally, after years and years of toiling and internalizing and battling with myself about what I should be focusing on (for no good reason at all), I've settled onto my path... poetry.

This was not a decision made by abandoning or discarding my other creative pursuits, but more asserting a concentration and practicing a narrow discipline every day (yes, every day!). All my other endeavors shall adhere to this nucleus, and persist so long as they don't interfere. The image below, which contains a Confucius quote, sat on my iMac for over a year. I would open it time and again, enchanted yet dumbfounded. The metaphor was heeded, I just didn't know what it meant for me. I assumed, out of the plethora of images that consume the internet, I chose this particular one to sit on my desktop for a reason:

 

My answer was sitting in the photo all along: thanks, poets01! Nonetheless, I continued to chase my two rabbits: Music and Writing. The irony was that I'd hardly been chasing either in the past few years. I was too busy avoiding myself to know what was screaming inside me. So I reached out and asked God or the universe or whathaveyou to present me with more of a challenge in my professional life... and that shit was delivered with appeasement. And you know what, I love it. Poetry (and writing in general) is my one true love. It has been and always will be my path; I'm just now giving it the acknowledgment it deserves. And for as weird as I translate it into existence and beyond the beauty of how it's enabled me to see between what I've known as immediate and boring answers to irrelevant and understated questions, I've fallen deeper into it, into the essence of my beyond, and what I've discovered is that the act of poetry, silently and secretly, designs life from subconscious energy into actual matter and living, all from this imperceptive ether delegated from depths of the unknown. It is Truth of existence—at the very least, mine. It's the harshest, most cryptic & abstract, most highly indiscernible but impeccably relevant gospel one could undertake, or subject themselves to... yet, just as easy to compose as it is intrinsic to your magnificence as a being in this human thing, is it equally difficult to capture in fullness and clarity, tangibly & comprehensively, from its pithy vehicle as it trolls by in a whisper. It is the voice of God I'm after, and if I can retrieve it, only for a brief moment in the expanse of my lifetime, this pursuit will have been worth it.

Yes! Challenge accepted. This is my path, and I am, for the first time in my life, content with my decision. Poetry was my first and will be my final lover. With all its successes and assurances, failures and doubts—past, present, future. With what I've grown to know, respect, and hunt with my silent & cunning wolf, it has always been the greatest part of the greater part of me. And it's just been sitting there waiting for me to devour my stagnancy and hesitancy in life, and reevaluate what I've been tell
ing myself all along: Be who you are at all costs... well, fuck it, this is who I am, for better and for worse. And for the first time in my life, and perhaps the only, I'm listening... heading into the unknown by the will and voice of God. But one thing I do know, from this point on, wherever that voice takes me, like a fish that finds a current, I shall go with it.
 

"Very little grows on jagged rock.
Be ground. Be crumbled.
So wildflowers will come up where you are.
You have been stony for too many years.
Try something different. Surrender."

               - Rumi


I want to thank Bert van Zetten of Villa del Arte Galleries, and the artists they represent, for this collaboration and inclusion in Genesis Journals and on the Gen Society blog. Walking through various neighborhoods in Barcelona, Spain, I stumbled across all three of their galleries. Coincidentally, one of the artists they represent, Françoise Nielly, was an artist I featured years ago. So after a pleasant exchange with Bert, the Co-founder & Gallery Director of VdA, we decided on a feature. To learn more about the fabulous artists represented by the Villa del Arte Galleries, check out their biography below and visit their links.
 
What are Gen Society and Genesis Journals?
 
In addition to being the LLC umbrella for creative services and music artist services performed by lorindrexler.com and loryn.net, Gen Society is a gallery blog for visual art and creative writing collaborations, and other randomizations. Genesis Journals is the seasonal newsletter of the blog.

In Genesis Journals, the season's featured artist's work (or artists) will be scattered throughout the sections. Other elements included, that may or may not be included on the blog, are book releases, music releases, and novel excerpts created by writer and musician Lorin Drexler (and potential collaborators). All of these project updates are located in the following section.
**Novel Excerpt**

My hybrid novel, Genesis, has yet again undergone another metamorphosis. After returning from Europe, something changed inside me. I was trying too hard to write a novel I felt was restricted and boring. Paragraph after paragraph, page after page, it wasn't the book I wanted to write, let alone read. And it wasn't because of the words on the page and how they were written but because of how they were presented.

I'd already broken apart Genesis years ago so that each chapter would read as its own flash fiction piece (a complete story under 1500 words) and in succession for an entire novel. Still, something felt off. Once I started restructuring the chapters to resemble more experimental poetry than standard prose, it began falling into place. So, what was already a hybrid novel just got a little more strange, thus making Genesis an experimental poetry book, a flash fiction compilation, and a novel series that will span numerous books.

In addition to this formatting alteration, I decided to embed artwork throughout the chapters. I'm illustrating Genesis with a software program called Midjourney, an excellent little AI art generator. Included below in the short sample of chapter II is artwork generated with Midjourney that I'll likely use in the book.

CHAPTER II 

RE-EMERGE
 
I                                         climbed                                         from
the                                         sunken                                         blue
fortress                                         of                                         my
former                                        self                                         and
made                                         my                                         way
onto                                         dry                                         land

 
            As I trekked
 

aimlessly through forest terrain
 
                                    on a winding dirt path, I reached

f           or what might have just

            been my imagination. 

                        That voice inside me. 

That ape that appeared                           from        
                       the ether in my vision,

and pulled me toward it.
      
            That penetration that kept my feet activated, 


SEARCHING...
 
I could have been walking for days, 
                                    months,
hunting and forging, following that echo. The timeline was vague, and the gaps in my memory persisted after emerging from the stream. The terrain began to change as I moved up in altitude. The vibrant greens and browns of the forest blended with purples and reds of a mountainous landscape.


 
by LORIN DREXLER
on an infinite tilt, or until it all passes — Chapter II

Chapter I: https://gensociety.com/2023/05/12/hom-nguyen-moondancers-love/
Inspired by an original manuscript from: https://www.instagram.com/poetic.wolf__/


i have yet to know the sound of her voice
her scent as we lie in bed together
as we let the world spin around us
one arm over her belly
the other under her neck
folded over her breast
i can't stop thinking about her
in my arms pressed against me
all the ways in which we tangle
            two spools to a black cat
            stretching the universe
 
as she looks at me
for the first time in her life
i sing for her
            from shades of a virulent past
            our dangling broken ornaments that tug
            but that is now beside us
            for the past does not exist
i howl for her
            for you!
for everything we've wished
so long as it's love
 
            but beyond this
            beyond our moondanced melody
            this here is my discourse 
            in our native language
            these paper words
            are for you
            and you alone
            words you can put ink to
            and howl with at the world
            behind the poetess wolf you hide
            shooting them at your vacant lovers
            to show them what real love is
 
and through the mask
of what we know each to be
we are cautious because we also know
the ways love can kill...
            we need to reclaim ours
            calm the waters
            stop gallivanting at the sight of 
            another broken promise
            for there is no greater pain in the universe
            than that of a blood moon
            bleeding back to gray
 
but not us
the world has re-collected our stars
oh no
death will not become us
for here
you have my heart
and here
between the most desolate of surfaces
we see an alien planet where
we both enter the waters
nude 
submerged
dripping
scribbled in love
 
like children 
floating the amniotic sea
we hold it as it holds us back
in our one remaining promise 
with one everlasting wish
for our one final lover


by LORIN DREXLER

Villa del Arte (https://villadelarte.com)

Bert van Zetten, Marcel and Jutta Huisman founded Villa del Arte Galleries in Barcelona in 1999. Their combined commitment and passion for art, together with a unique approach and willingness to exhibit emerging alongside established artists, has contributed to an ever-changing, exceptional contemporary collection of fine art, photography, and sculpture. Villa del Arte represents over 40 national and international artists exhibited between four emblematic galleries in Barcelona and Amsterdam. Further to organizing solo and collective shows, Villa del Arte also collaborates with other cultural institutions and museums, and regularly participates at renowned international art fairs.
 



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