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Increasingly, our networks seem to be steering our history in ways we don’t like and can’t control.
“Call it info-determinism: the belief that the ways that information flows through the world are actually a kind of web in which we’re ensnared,” Joshua Rothman writes. The Internet can make it feel as though information is endless, and access can make everyone feel like an expert—or, at least, an expert subreddit debater. The sense that there is always more to know undermines the authority of an article or an institution, as does the thriving trade, among those debaters, in the disassembly of ideas. Rothman’s column, Open Questions, unpacks open-ended queries each week. Today, he considers: What is information? Does it matter if it’s true? Are we trapped? Support The New Yorker’s award-winning journalism. Subscribe today » | |
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From the News Desk |
The LedeElon Musk’s Surging Political ActivismThe X C.E.O. has been using his platform to sound off on topics including Venezuela’s election, Trump’s campaign, and racial violence in the U.K. By Jon Lee Anderson |
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| In the Dark: In the fourth episode of the series examining the killings of twenty-four civilians in Iraq, two conflicting stories about what happened that day emerge—one from the Marines involved in the killings, and another from a very different perspective. Listen and follow » |
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Culture Dept. |
Cultural CommentIn “The Texas Chain Saw Massacre,” Feeding Your Family Comes FirstFifty years on, the film reads like sociology: assembly lines make the working class deranged, technology makes them irrelevant, and unemployment makes them hungry. By Jackson Arn |
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Persons of InterestMatt Rife’s Sleepless SummerThe twenty-eight-year-old relishes his status as a “cancelled” comic. He also happens to be one of the most popular acts in the country. By Carrie Battan |
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From the Archival Comedy Issue |
Personal HistoryDead Man LaughingFrom 2008: Jokes run through a family. By Zadie Smith |
The Current Cinema“Funny Girl” Is a Terrible Movie with a Performance of GreatnessFrom 1968: The Broadway musical is a corrupted form, but Barbra Streisand conceals nothing. By Pauline Kael |
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Fifty Days of Flash Fiction |
Flash Fiction“Listening for the Click”Martin eats the baby food in bed and watches porn while wrapped in a blanket with a Betty Boop print. By Johanna Ekström |
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