Tuesday, July 18, 2017

5 Cool Drones You Can Buy Now On Amazon in 2017

More eyes in the sky
Published on Jul 18, 2017
Views: 328
5 Cool Drones You Can Buy Now On Amazon in 2017

Now, let’s talk about drones.
A drone, by definition, is an “unmanned aircraft or ship that can navigate autonomously, without human control and can possibly be guided remotely.”
Simply put, the drone is the wave of the future.

You see all those cool camera angles you see in movies? Those awesome aerial shots that give you bird’s eye views of beautiful, lush landscapes of snowy mountains and other cool surroundings?

How did you think they achieved those shots? By strapping a cameraman to a hang glider and hoping for the best?

No, no, getting that Oscar nod for Best Cinematography is not worth that type of risk!

Traditionally, camera people would ride in helicopters and use cranes to get those types of shots… but in using those methods, there are boundaries involved.

With drones… the possibilities are nearly endless.

Marble Helped Scholars Whitewash Ancient History

Polychrome over-painting has created a fiction we keep telling ourselves when "skin tones' from different people didn't meet the not-color-blind standards in the 18th & 19th centuries . . . controversy was created by research of an academic 
Published on Jul 18, 2017
Views: 727
Polychromy in ancient statues and the whiteness of marble without paint has made both the Roman and Greek antiquity seem like they were all white.
This was done on purpose by scholars in the 18th and 19th century who purposefully whitewashed those periods and pointed to the whiteness of the marble as proof that those worlds, which had people from all "races" (the term wasn't really relevant back then) were also white. VICE News walks through the Art Institute with polychromy expert Sarah Bond.

Predicted Big Quakes, After-Shocks + Volcanic Eruptions Arrive

7.7 Earth Quake. Tsunami Advisory!
Published on Jul 17, 2017
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ASPRS Lawsuits Update Webinar 13 June 2017

Record-breaking 300 online to find out about this issue about refunds of contributions with an interest rate of 5%.
Judgment has not entered at this point-time although there's been a decision by the judge.
A status report is scheduled some time for mid-July that will affect 16,000 people and have a big budget impact on the finances of many cities here in Arizona
Published on Jun 27, 2017
Views: 14
Duration: 2 hours

Monday, July 17, 2017

NOW OUT ONLINE > City of Mesa "Economic Reporter Newsletter"

3rd Quarter 2017 Economic Reporter Newsletter
Post Date: 07/17/2017 10:15 AM
Just 10 [ten] working-days after the close of the fiscal year and the end of the second quarter in the calendar year, the newsletter from Mesa Office of Economic has been put online in an email notice retrieved from the inbox today just 37 minutes ago at the time of the drafting for this post. 
Starting off with hindsight in the rearview mirror, the "Quick Jab' headline from head honcho Bill Jabjiniak reads like this:
Recent economic development successes inspire future planning efforts 
"As of June 30, 2017, another fiscal year has come to an end. Looking back on the previous 12 months, Mesa’s Office of Economic Development (OED) is celebrating positive results from staff efforts assisting companies, expanding businesses, and creating high quality jobs. . . "
Perhaps there's a flaw in the data or claims made - or shall we call it "news" that reported in the newsletter - judging by this disclaimer in the second paragraph: "While we measure 15 key activity areas year over year, there are four primary categories that are considered industry standards to track success:
  • number of jobs created and retained by the companies OED assists
  • the average annual wage of those jobs created or retained
  • total capital investment
  • the total square footage of commercial space.
Here's the Kicker: The results recorded for these measures are based on the project or company announcements.
Then perhaps Mr. Jabjiniak might be up for a 5-year performance review so in the next paragraph he goes back four years, making sure to state unequivocally and clearly that "These results are tracked on a fiscal year basis (July 1 through June 30) and represent announcements from companies during the past four years . . . "
Looking ahead here's a metric for this FY2018 to achieve, and hopefully surpass, the following goals during the next 12 months: with this added note
Thank you for your support.
Please contact me with questions or comments. I look forward to hearing from you at William.jabjiniak@mesaaz.gov.
For additional information, visit our website at www.mesaaz.gov/economic.

 
City of Mesa OED Performance Measures: FY 2017-FY 2018
  TARGET
  Number of Jobs Created/Retained 1,700
  Annual Wage of Jobs Created - Announced $44,096*
  Total Capital Investment $325,000,000  
  Total Square Footage Constructed/Absorbed 500,000

Hey! REAL GOOD NEWS Here in The New Urban DTMesa

A most welcome announcement from Casey Blake, Director of Public Relations @ Mesa Arts Center:
Prototypes selected for Main St. Prototyping Festival
Free event scheduled for Nov. 17-18
Innovative Project Employs Arts-Based Community Design 
 
Please note: some images from the selected prototypes are available on this link >> https://www.mesaartscenter.com/mesaprototyping with more added later when sent from Casey Blake 
July 12, 2017 (Mesa, AZ) – Mesa Arts Center today announced the selection of 20 proposals for the City of Mesa’s first prototyping festival – Main Street Prototyping Festival, slated for Nov. 17 and 18, 2017.
Artists, architects, designers, students, makers, urban planners and others have been selected to create temporary projects that activate public space and engage the community toward enhancing connectivity and vibrancy in downtown Mesa. Planned prototypes include concepts for gathering places, virtual reality experiences, structures that offer space for interaction, performances, places to play and share in art making, and ways for passersby to offer feedback about their community. Each project will be allocated $1,000-$3,000 for design, fabrication and project management.
 The free community festival is funded by a prestigious Our Town grant for $75,000 from the National Endowment for the Arts. Through Our Town, the National Endowment for the Arts provides grants for arts-based community development projects that contribute toward the livability of communities and help transform them into lively, beautiful, and sustainable places with the arts at their core. Prototyping festivals are a relatively recent tool being employed by forward-thinking cities, and have been held in only a handful of municipalities in the last couple of years, including San Francisco and Denver.
 In addition to the prototypes, artists Erin V. Sotak (Scottsdale) and Sophia McGovern (Tempe) were selected to lead residencies with the Grant Woods Boys and Girls Club of Mesa and CARE Partnership near downtown to create community-generated projects that address neighborhood aspirations, needs and opportunities.
The residencies are the first steps in a larger initiative that will seek to strengthen the connections between downtown and its surrounding neighborhoods, and to help these residents develop relationships with organizations and resources available to them in downtown. 
 
At the culminating festival, where the prototypes will be installed in the heart of downtown Mesa between Country Club Drive and Sirrine Street, residents will be invited to provide feedback and vote for their favorite prototypes, and those they feel will provide the most benefits to downtown and its visitors.
 
The City of Mesa, Mesa Arts Center (MAC), Neighborhood Economic Development Corp. (NEDCO), Local Initiatives Support Corporation Phoenix (LISC) and Downtown Mesa Association (DMA) are collaborating to engage creative minds and the community in testing ideas that respond to dreams, needs and desires of citizens and visitors.
“The beauty of this project is that it enables experimentation with a variety of potential enhancements that can impact both community and economic development,” said Cindy Ornstein, Director of Mesa’s Department of Arts and Culture and Executive Director of Mesa Arts Center. “This way, residents and visitors get to explore and respond to ideas in the flesh, and future investments or longer-term testing can be based on knowledge of what worked and the needed adjustments that may make it work better.”
 Jeff McVay, Downtown Transformation Manager, said of the project, “The prototype festival is part of our Downtown Lab (D-Lab) that tests and develops solutions uniquely suited to our very special urban center. Many creative initiatives and events, and several other prototype projects have been a part of this process and we look forward to seeing how the community would like to activate downtown Mesa.”
 
Selected prototypes and project descriptions:
 
AZ Dragoneers
Prototypers: Nathaniel Jack Greene, Susan Bendix, PhD, Alex Kohli, Erin Magorian, RuthAnne Greer, Renee Aguilar, Deven Williams
 AZDragoneers will install a white, blank dragon puppet surface in the Mesa Art Center courtyard and provide the tools, materials and education for the public to contribute to their own unique example of a transformational representation. Performance of the puppet will occur at regularly scheduled intervals, and the public will be invited to participate as performers as well. The final performance will be considered the completed representation of the prototyping, design and construction developments made throughout the event by the local community and are intended to represent the desires and ideals of the shared community with respect to transformation.
 
Binary Adder
Prototypers: Milton Williams, Morgan Williams
 The Binary Adder is a large mechanical adder powered by billiard balls with two inputs. Participants will use a hand crank to change the input number, then pull an extremely long execute addition lever (like a slot machine) that would load the billiard balls into the binary registers – expressing the sum in base 2. The balls will mechanically recognize registers that are already full and be launched into a difference direction, hitting a noisemaker and visually displaying the concept of “carrying” to the next column. 
 
Car Tune Playground
Prototypers: Suzanne Woodford, Dobson Montessori School
 This interactive drumming center will feature repurposed tires converted to drums by wrapping them with layers of heavy duty shipping tape, combined with a variety of car parts, such as fenders and steering wheels, that will become rhythm instruments to contrast with the bass percussion of the tire drums. Community members will be invited to play, and familiar “car tunes” such as “Little Deuce Coupe,” “Mustang Sally” and “Low Rider” will be played while docents instruct the participants in easy to learn beats that can be played to the music.
 
From a Different Lens
Prototypers: Michael Baker International, Nicholas Chen, Stephanie Cheng, Susan Harden, Matt Klyszeiko, Madison Roberts, Jenna Tourje, Scott Waltenburg
 From a Different Lens is the use of virtual reality to display different design scenarios for the north/south alley between Main Street and the service alley directly south of Main Street. The idea has two main components; to show potential improvements that can be made to the alley to activate this space, and to use it to create connections to – and unexpected experiences within – downtown Mesa.
Idea Portals
Prototypers: Conscious Creative & Co.
Brightly-colored beacons will be painted by 300+ kids at the Boys & Girls Club and will draw crowds with bold, thought-provoking questions like “What’s your favorite prototype at this event?” and “What kinds of programs would you like to see at Mesa Arts Center?” Like giant survey questions, ideaPortals will feature arcade-style multiple-choice buttons and other interactions based on the types of feedback gathered. During the festival, 6-12 portals will be placed in strategic areas that will challenge event-goers to “find all 12 portals” and continue the conversation online.
 
Interactive Canvas Project
Prototypers: André van Belkom
 From a digital kiosk by Mesa Arts Center on Main Street, a visitor will be able to take a portrait with friends and family or paint a digital picture, which is then transmitted to a projector casting the image onto the large canvas canopy hanging overhead. During the day, the canvas structure will provide shelter from the sun, and at night comes to life with color and imagery.  The project will give a playful character to the site; encouraging students, resident artists, visitors and the public to share their expressions through interaction, activating downtown Mesa. The additional lighting from the illuminated canvas creates an inviting environment and allows the people to exhibit their own creation, mural, poem, or even a selfie.
 
Living Topography: Creating Vertical Shade in Downtown Mesa
Prototypers: Colwell Shelor/180 Degrees Landscape Architecture
 Shade is an essential element in creating walkable and more livable communities, in making cities comfortable places to walk, bike, live, work and play. This prototype is an artistic, interactive vertical shade panel installation that will not only provides protection from the harsh horizontal rays during the morning and late afternoons, but also serves to showcase the people of Mesa as vital collaborators in “shaping” the identity of the City. The vertical shade panels are reminiscent of the pin impression toys we all loved as children – a constantly changing, life-sized sculpture where people can imprint their entire body in action – an expression of the vibrancy, art and diversity of its people.
 
Los Abuelos
Prototypers: Cultural Coalition, Inc., i.d.e.a. Museum
 Cultural Coalition will partner with the i.d.e.a. Museum, El Rancho del Arte and Guerrero Elementary School to engage the youth of Mesa and produce a Parade or Paseo featuring larger-than-life puppets, musicians, masked performers and participants.
“Los Abuelos” is meant to bring Mesa’s diverse community together to create wearable masks that represent our unique ancestries. The project includes storytelling, mask-making, and a performance platform to include Desert Sounds Mariachi, Ballet Folklóricos Quetzalli, Ballet Alegria, and Ollin Yoliztli Dance Academy. Everyone will be welcomed to participate. 
 
Mesa Contractor’s Monument Bridge
Prototypers: Tim Boyle, Jim Harman, Steven Jarman
 The Mesa Contractor’s Monument Bridge is a landmarking public sculpture that celebrates the most common building materials: 2x4s and TJI roof beams. Construction is the largest enterprise of Mesa. Contractors come from all countries and all walks of life, making construction sites the most diverse and multilingual. This bridge will celebrate the contribution of contractors from all countries to Mesa.
 
Mesa Heart Hopes and Dreams
Prototypers: Dr. YoungJu Lee, Eric Hultquist, Jaime Glasser 
 A welded, heart-shaped, skeletal steel frame, will be covered with steel mesh (safety-coated with plastic). Individuals will be encouraged to envision their personal hopes and dreams as well as the future of the community, and to write these visions with a variety of colored sharpies on strips of repurposed fabric remnants. As the heart is filled in with the addition of each fabric element it becomes a tangible reminder of our collective hopes and dreams for ourselves as the heart is solidified and brought to life.
 
Mesa Speaks Stage
Prototypers: Lenika Rivas, Rachel Collay, Angelica Williams, Alyson Hulet, Anna Mohr Almeida, Katie Clontz, Alan Rivas, Bailey Smith
 The Mesa Speaks Stage is a raised platform stage framed in reused, welded metal with recycled mosaic around the edges. Mosaics, made from reclaimed glass and tiles, will spell out what makes Mesa such a vibrant community, with words like “imagine,” “innovate,” and “listen.” These words invite citizens to take the stage and express themselves. The raised platform stage will have a chalkboard backdrop with space for ideas, art and community contributions. The open platform stage invites anyone to express themselves as they walk through downtown. The intention of the open space is to build a sense of community in Downtown Mesa, and enhance the character of the surrounding communities by demonstrating innovative ways people can interact.
 
Neighborhood Free Library
Prototypers: Jose A. Benavides, Mark Lymer
 Free libraries often act as casual meeting places as people walk their dogs and stop to see what the latest books are in the box. The Library installation will be sculpturesque in form and tell its own story. The artist team will not 'censor' the theme but rather help it become visual.
 
Noodle
Prototypers: Madison Strakele, Carlos Terminel, Clayton Maxey, Nick Althouse, Ryan Fickenscher
 Noodle is intended to liven up one of the underserved alleyways of downtown Mesa. The concept is comprised of a 50-foot undulating tunnel created with a series of colorful varying archways. Festival-goers can walk through the tunnel to gain passage from Main Street to Pepper Place, encouraging them to explore the entirety of the downtown area.
 
Tapas: Breath and the Beat
Prototypers: Chris Dastan
 "Tapa,” is the primary percussive surface of a cajon. A cajon is a box-shaped percussion instrument with 6 sides. One side has a sound hole cut into the back and the front is the “tapa.” Utilizing this percussive instrument as a physical “voice,” the installation visitors will be invited to play this instrument by first tapping the rhythms of their breath, then their heartbeat, followed by any other emergent performance. A series of digital/physical interactions will connect two remote cajones and human participants to create a hybrid rhythmic portal. 
 
The Mega Mesa
Prototypers: Jaime Glasser, Nikki Davis
 The MEGA M.E.S.A. (Mesa Enormous Spiral Art) installation consists of two different sized functioning spiral art devices that create linear graphics on the sidewalk and on paper. Based on Spirograph, different sizes of gears can be interchanged to create different types and sizes of design. Drawing a design is interactive, as multiple people standing at various points around the framework are required to hand off control of the gear to complete the drawing. The design of the MEGA M.E.S.A. encourages teamwork and promotes interaction between those from different backgrounds and generations.
 
Think Stem Machine
Prototypers: Thomas Saxon, Rebecca DeLong, Scott Blevins, Westwood Robotics
 Encouraging the community to be innovative and explore new ideas, this transparent, plexiglass box features information panels for participants to learn more about the Think STEM Machine and its various processes. Local students will design the inner workings of the machine with a goal of audience engagement. Participants will be challenged to complete mechanical sequences such as a series of pulleys and tubing to place a ball on a spiraling track or the process of placing cubes on one side of a lever to counteract a weight on the other side. Each completed sequence will animate the machine motivating the user to learn and get creative to continue the task.
 
Tinker Scape
Prototypers: Milagros Zingoni, Master in Interior Architecture students
 This project will explore the relationship between design and build, academia and community, theory and practice, and learning by making and playing. The graduate studio in Interior Architecture will collaborate with youth from the City of Mesa through a series of workshops to explore culture through the eyes of children as the first phase of the design process. Design with rather than designing for, not only has a greater impact in the sense of belonging of the installation, but it also exposes the youth to a college and community outreach experience. Tinker Scape offers the opportunity for social practice and collective action between children from the City of Mesa and MIA students in the ideation process of the installation.
 
Wayward Beasties Art Car
Prototypers: Sam Ogden, Macy McKennyl
 Wayward Beasties is an experiential vehicle made up of a giant turtle with a mouse riding on its head. Simon the Turtle is a MOOP-hungry monster (Matter-Out-Of-Place aka trash, litter, refuse, garbage, etc.). He will gobble up bottles, cans, feathers, cigarette butts, and any other stray bits participants feed him. Not only will he transport wayward wanderers, Simon provides a friendly way to Leave-No-Trace! Wayward Beasties and the rest of the Turtle Team will spend the duration of the event cleaning up trash and encouraging participants to do the same. The project hopes to encourage environmentalism and the principle of leave-no-trace in Mesa, the greater Phoenix area, and beyond.
 
Weaving Community
Prototypers: Marianne Levin, Abby Queal, Erin Magorian, Eric Hultquist, Randy Leon
Artists and community members will create cylindrical weaving pieces. A short, finished piece may suggest different animals or objects and can be embellished as such. Other ideas may emerge as the community participates. A significant component of the prototype is the action of “giving and receiving.” Each weaver receives the strand from the person to the right, and after looping the strand, passes it to the weaver at left. The weaving produces a circular web or “spool knitting" with the placement of weavers subtly underscoring the connection and wholeness of the community.
 
Woven Light Bridge
Prototypers: David Avatara, Brain Korsedal
 The Woven Light Bridge is a new style of fabric consisting of diamond patches of spandex stretch fabric. The fabric is translucent and will light up from the LEDs creating a pleasing, slowly fading, interwoven rainbow of light. The LEDs are not covered with fabric and face straight out from the structure lighting up the whole area and providing a pleasant place to congregate at night.
 
Mesa Arts Center is located at One East Main Street in downtown.
 
[END]
 
About Mesa Arts Center
The Mesa Arts Center mission is to inspire people through engaging arts experiences that are diverse, accessible, and relevant.
Owned and operated by the City of Mesa, Arizona’s largest arts center is recognized as an international award-winning venue. The unique and architecturally stunning facility is home to four theaters, five art galleries, and 14 art studios and an artist cooperative gallery. For more information, visit mesaartscenter.com.
 
Mockups, renderings and images of most proposed prototypes are available immediately upon request. Contact Casey Blake at casey.blake@mesaartscenter.com.
 
Main Street Prototyping Festival contact:
Jennifer Gastelum, Project Coordinator at jennifer.gastelum@mesaartscenter.com or 480.644.6621.
 
Main Street Prototyping Festival website:
 
Casey Blake
Director of Public Relations
Mesa Arts Center
Office 480.644.6620Cell 480.390.1258
Casey.Blake@mesaartscenter.comMesaArtsCenter.com
 

Mayor John Giles "Getting Educated" @ Harvard


 
 
 

Needed: First-class training for mayors  
NEW YORK DAILY NEWS
Sunday, July 16, 2017, 5:00 AM
" ...City leaders must contend with a series of tectonic changes that require steady hands and bold action. Automation and technological advances. Demographic shifts. Climate change. Unprecedented budget constraints. Geopolitical instability... Yet mayors encounter deep resistance to change and an aversion to risk even when everyone agrees that it’s time to fix something that’s broken.

With a demanding public, entrenched stakeholders and the news media quick to jump on mistakes, being mayor today requires greater access to the latest management, problem-solving and communications tools.
...Being a mayor is, without question, one of the toughest executive positions around. Yet in a country where we spend nearly $14 billion a year on an endless array of courses broadly described as “leadership training,” there is no formal training for the job of mayor. We expect the people who lead our city halls to rely only on what they bring to — and learn on — the job...
Today’s mayors have to know how to build top-notch teams — hiring for talent and giving those talented teams the room to take risks and, at times, fail. They’ve got to appreciate that formal powers only get them so far, and that getting big things done often means using soft power and the bully pulpit to capture hearts and minds and build coalitions beyond city hall.
And, increasingly, they have to understand the power of data and know how to drive change, lest their city — and the people they serve — get left behind.
The Bloomberg Harvard City Leadership Initiative, a collaboration between Bloomberg Philanthropies, the Harvard Kennedy School and the Harvard Business School, will make sure our “elected CEOs” have access to the best leadership development opportunities that, until now, were reserved only for their private-sector counterparts.
The inaugural class of 40 mayors — 30 from the U.S. and 10 from abroad, including Andy Burnham — convenes for three days in New York City starting Sunday. These mayors, along with key staff members, whom we will convene later this summer, will be part of a first-of-its-kind executive leadership program that covers the latest thinking and best practices in management and innovation; peer-to-peer mentorship to share what’s working and what’s not; and the opportunity to interact with and learn from the most dynamic network of urban experts in the world.
Great mayors will always learn on the job. But with all the challenges facing cities, and all the weight we’re placing on cities to keep the planet green, keep people healthy, and grow the economy, now is the time to get serious about equipping them to succeed.
Source: NY Daily News Sunday, July 16, 2017, 5:00 AM
Anderson oversees Bloomberg Philanthropies’ Government Innovation programs. He previously served as communications director to New York City Mayor Michael Bloomberg.
Glad to welcome the Bloomberg Harvard City Leadership Initiative's inaugural class, 40 mayors ready to maximize their impact.  
The Bloomberg Harvard City Leadership Initiative welcomes its inaugural class . . . As you can see, they're excited to get to work.
Retweeted Mike Bloomberg
Thirty US mayors are in this inaugural class. But 1,500 US cities are eligible for the . Are you in?
Welcome to the 2017 Mayors Challenge!
To enter the competition, an authorized executive or designate of the executive must submit the information details below. As a next step, you will receive information about the application process.
Link > http://mayorschallenge.bloomberg.org

The American Cities Initiative focuses on three core areas:
  • Promoting bold leadership and effective problem-solving in city halls;
  • Advancing critical policies and legislation in areas ranging from education to climate change to opioid abuse; and
  • Empowering citizens – including artists, volunteers, and entrepreneurs – to solve problems and strengthen social cohesion.
Bloomberg already plays a significant role in shaping some of the nation's fiercest policy debates, having invested millions of dollars in one advocacy group that pushes for stronger gun control and another that promotes liberal immigration policies. He has also made $80 million in donations to the Sierra Club in recent years to help combat climate change.
He last funded a similar contest for U.S. mayors in 2013, but moved the initiative to Latin America and Europe in recent years.
All American cities with at least 30,000 residents are eligible to apply. Applications are due in October with the winners to be announced in October 2018. 

NYT Columnist Thomas Friedman: “The World Will Push Back” Against Trump ...

    Jan 27, 2026 #amanpourpbs From ICE's violent crackdown in Minneapolis to President ...