What do U see when you take a look at public art installations on the streets here DTMesa?
A monument to public education with mother and children or the spontaneous juxtaposition of a jarring image about the homeless?
Please take a closer look [image taken at sunrise just the other day]
Swapping the NSA for BPM, the whistlebower’s song with the electronic music legend has hit the web, including a Bourne-style video
In 2013 Edward Snowden rocked the world of government surveillance when he dropped bombshell revelations about the National Surveillance Agency.
Yoday it was the music world Snowden rocked, when he dropped a red-hot techno track co-recorded with French music icon Jean-Michel Jarre.
The song, called Exit, mixes clips of Snowden warning of the dangers of privacy interference with what a colleague here at the Guardian described as “haunting, discordant synths”.
Exit was posted to Jarre’s YouTube channel on Thursday afternoon. The collaboration came about after Jarre gave an interview to the Guardian last year, and asked our music critic Alexis Petridis to put him in touch with Snowden. Jarre described his music, over which Snowden performs, as a “hectic, obsessive techno track, trying to illustrate the idea of this crazy quest for big data on one side and the manhunt for this one young guy by the CIA, NSA and FBI on the other”.
In 2013 Edward Snowden rocked the world of government surveillance when he dropped bombshell revelations about the National Surveillance Agency.
Yoday it was the music world Snowden rocked, when he dropped a red-hot techno track co-recorded with French music icon Jean-Michel Jarre.
The song, called Exit, mixes clips of Snowden warning of the dangers of privacy interference with what a colleague here at the Guardian described as “haunting, discordant synths”.
Exit was posted to Jarre’s YouTube channel on Thursday afternoon. The collaboration came about after Jarre gave an interview to the Guardian last year, and asked our music critic Alexis Petridis to put him in touch with Snowden. Jarre described his music, over which Snowden performs, as a “hectic, obsessive techno track, trying to illustrate the idea of this crazy quest for big data on one side and the manhunt for this one young guy by the CIA, NSA and FBI on the other”.







